Creativity according to Yay:
http://www.kanyewest.com/2010/03/02/creativity/
My response to him (below)
Most of the world never questions anything, and they damn sure don’t question anything about themselves. It’s sooo much easier to point fingers. People don’t know why they wear the shirt on their back or why they style their hair the way they do. They don’t even know why they sit for 2-3 hours in the church they have chosen. For the creative, it’s painful to go with the flow, to fit into a particular mold of patterns.
Being comfortable is never comfortable; the creative never fits in; perhaps a swig of Jack soothes the pain…
I think that’s why I like to dream in barren landscapes. The possibility to create is immensely infinite. Where there is already structure; opinions and facts about those structures have been created. Where there is trash and waste, there is only room for beauty and boundless options. And most important, when trash is transformed into beauty, the landscape is not only transformed but the inhabitants are rid of their inner waste. Creating something from nothing, like Ye says, is magic. I’ve seen it produce the most unlikely results, fruit even.
But without belief, creativity is useless. Don’t lose your belief Ye…keep your faith. The world’s evolution depends on dreamers.
Shak
100.
Showing posts with label Creativity. Show all posts
Showing posts with label Creativity. Show all posts
Friday, March 5, 2010
Tuesday, October 27, 2009
Say Hello to the Bad Guy
Photo: Mazur/Getty
Sunday evening on 60 Minutes there was a segment about Tyler Perry by Byron Pitts. What ensued over the next 24-48hrs was quite interesting to say the least. I engaged in a thread on a friend's facebook page about said piece. Here are some excerpts of my responses.
"....TP makes a point when he says that there is an audience he speaks to and gives them a msg in a way that they can understand. "art" is subjective. for instance, everyone doesn't like bjork but i think she's amazing... he talks about drug abuse, spousal abuse, relationships, family, etc. all of the characters are not buffoons. there is room enough for everyone. if he wasn't actually actively trying to bring a msg to the table i would agree totally but the fact is that he is."
"he attacks, as aforementioned, abuse of all kinds to show his audience they can win. a lot of the ppl who patronize his works do feel like they can see themselves in them. "why did i get married?" was a departure from madea. even though one of the characters was one of those over the top kinds she still had a bit of an arc.
speaking of him directing a movie that you couldn't tell was directed by a black director: don't you think spike lee "suffered" from that stigma until oh i don't know 2002 when he released "25th hour"? then came "inside man" in 2006. he had his 1st major break out in 1980 with "she's gotta have it". so that's over 20 yrs of knowing that you're watching a movie about "black" issues by a black director. the challenge is to dig deeper. there is a reason behind every artists "theme" in their chosen medium. tyler's is that he suffered major abuse and watched his mother go through it, as well. he has an audience, albeit which does not include many of us on this thread, that support him wholeheartedly. he doesn't promote prostitution, nor any type of demoralization of women, so likening him to say, Gucci Mane, is a bit extreme to me.
re people who support gucci mane and the like: there is supply and demand. if ppl keep buying it, it keeps getting pumped out. "real" artist sometimes don't like to liken themselves to attracting financial gain b/c they think that success somehow makes them less "real". THAT is the problem. gucci mane won't be around forever b/c his content is lacking. but "indie" artists have to put themselves on, too."
speaking of him directing a movie that you couldn't tell was directed by a black director: don't you think spike lee "suffered" from that stigma until oh i don't know 2002 when he released "25th hour"? then came "inside man" in 2006. he had his 1st major break out in 1980 with "she's gotta have it". so that's over 20 yrs of knowing that you're watching a movie about "black" issues by a black director. the challenge is to dig deeper. there is a reason behind every artists "theme" in their chosen medium. tyler's is that he suffered major abuse and watched his mother go through it, as well. he has an audience, albeit which does not include many of us on this thread, that support him wholeheartedly. he doesn't promote prostitution, nor any type of demoralization of women, so likening him to say, Gucci Mane, is a bit extreme to me.
re people who support gucci mane and the like: there is supply and demand. if ppl keep buying it, it keeps getting pumped out. "real" artist sometimes don't like to liken themselves to attracting financial gain b/c they think that success somehow makes them less "real". THAT is the problem. gucci mane won't be around forever b/c his content is lacking. but "indie" artists have to put themselves on, too."
"tyler made his movies using his own money precisely b/c he didn't want anyone to be able to dictate how his ish was made. he used the $$ from all of his plays to fund them and kept putting money back into himself to further himself. that's how he built his studio in the a. what is incredibly strange and hi-larious to me is that as a filmmaker myself, i am actually defending someone who i don't align myself with artistically. his hustle, though, 100%. lionsgate is for distribution and only recently as investors. please believe that this man is doing things his own way. he had another director do his 1st movie and that didn't work out so well because he wanted it his way and this i know 1st hand. partnering w/lionsgate puts more $$ in his pocket while allowing him to write his own ticket. he only got to that point b/c he showed a following on his own. he put himself on. just as spike lee did. but i think it's a bit early to say that someone can't grow. after spike's 1st 6 films would someone say they could see him directing the likes of edward norton in a film as his lead? probably not. but he did."
"Bottom line is his pieces effect people. I might not be you but look at the box office numbers." -Shak
100.
Friday, September 18, 2009
Things I love... Pt3 aka MBW
While I was in NY IT finally came. Sweet! I'm referring to the above, my 1st Mr. Brainwash(MBW) piece, "Lines Davis". It's a print he did using hand torn archival paper, hand stained and finished with paint. Sidebar: Another of my passions is art history. I love it because of the story you end up finding out behind each piece. In any case, something that always stuck with me from my art history teacher was that you should only purchase art if it connects with you. I've been peeping MBW's work for a minute now. You can find it ALL over LA. Which is fresh. I really dig street art. I feel like it adds another facet to the city's life. Also, the murals serve to refresh my mind when I drive past different pieces on walls and sides of buildings. It happens to break up the monotony of being stuck behind a car. lol There's a wall up the street from my house that is a frequent canvas by MBW. I find myself riding by looking specifically to see if he's posted something new. He started out, actually, as a documentary filmmaker shooting street artists like Obey and Banksy amongst others. He felt so inspired by them that he began to create his own works. Super fresh, right? What a way to pay homage.
What inspires me about MBW is that he has the sarcasm of say a 2000 Warhol type which you see with his pieces like "Kissing" the lines version of the Madonna & Britany MTV kiss. At the same time he shows you his love of art and artists. Additionally, MBW is constantly showing his gratitude, I believe, by painting the likes of Jackson Pollack, a lines version of the infamous Mona Lisa, the above in honor of Michael Jackson at his passing and of course my piece, "Lines Davis", to name a few. He took a popular photo of Miles and did his own recreation. This piece speaks to me because of the dual passion I see represented. Miles is in his element, his passion of music and MBW in his of street art. Whenever I look at the painting is reminds me of how important passion and drive really are on this path I am traversing. Miles Davis was a groundbreaking musician and inspired 2 of my personal favs, John Coltrane and Herbie Hancock.
Keeping with that theme, he has a new show coming out in London in December of this year aptly entitled "Icons". The official print (above) for the show is so dope because within it are "shout outs" to countless artists from Norman Rockwell, to Duchamp (aka R.Mutt as MBW signed the bathtub as a wink to the famous Fountain piece), to Banksy, Picasso, himself and all surrounded by "Chaplin" sitting in the "R.Mutt" tub. It's as if all of these artists have come by and tagged this scene showing us all forms of art are incredibly important and on the same playing field even though they are different in nature. Isn't that the point of IT all, though? Everyone deserves a place, a voice. We needn't be afraid, "Art is not dead".
What inspires me about MBW is that he has the sarcasm of say a 2000 Warhol type which you see with his pieces like "Kissing" the lines version of the Madonna & Britany MTV kiss. At the same time he shows you his love of art and artists. Additionally, MBW is constantly showing his gratitude, I believe, by painting the likes of Jackson Pollack, a lines version of the infamous Mona Lisa, the above in honor of Michael Jackson at his passing and of course my piece, "Lines Davis", to name a few. He took a popular photo of Miles and did his own recreation. This piece speaks to me because of the dual passion I see represented. Miles is in his element, his passion of music and MBW in his of street art. Whenever I look at the painting is reminds me of how important passion and drive really are on this path I am traversing. Miles Davis was a groundbreaking musician and inspired 2 of my personal favs, John Coltrane and Herbie Hancock.
Keeping with that theme, he has a new show coming out in London in December of this year aptly entitled "Icons". The official print (above) for the show is so dope because within it are "shout outs" to countless artists from Norman Rockwell, to Duchamp (aka R.Mutt as MBW signed the bathtub as a wink to the famous Fountain piece), to Banksy, Picasso, himself and all surrounded by "Chaplin" sitting in the "R.Mutt" tub. It's as if all of these artists have come by and tagged this scene showing us all forms of art are incredibly important and on the same playing field even though they are different in nature. Isn't that the point of IT all, though? Everyone deserves a place, a voice. We needn't be afraid, "Art is not dead".
100.
Bright
Tuesday, September 1, 2009
I'm Inspired By: Man Who Pays Bill with Drawing of a Spider...SO FUNNY!

Ok a friend sent this link to me in 08 but it was SOOOOOOOOOO ridiculously funny, I had to find it and post it. This is what real creativity is all about...well sort of.
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